If Ursula K. Le Guin’s death left only a small hole in the larger world, it poked a large hole in my smaller one. I was glad, of course, that her praises were quickly ...
John Plotz
John Plotz is Professor of Victorian Literature at Brandeis University. His books include The Crowd: British Literature and Public Politics (2000), Portable Property: Victorian Culture on the Move (2008), and Semi-Detached: Aesthetic Experience from Dickens to Keaton (2017). His recent pieces on Jean Stafford, Doris Lessing, John Williams, and Ursula Le Guin are part of a new study, “The Recalcitrants.” He lives in Brookline with his partner, Lisa, their two children, and four chickens. 
John Williams’s Perfect Anti-Western
Canyonlands National Park, Utah; 103ºF under a cloudless summer sky. I’d call the canyon floor below “bone-white,” if it looked like anything had ever lived there long enough to leave its bones ...
Le Guin’s Anarchist Aesthetics
What makes readers fall in love? You might want to start your answer by explaining Ursula Le Guin. I can only speak for one childhood—and one adulthood—spent reading Le Guin, but I’d bet my last ...
The Story’s Where I Go: An Interview with Ursula K. Le Guin
When did Ursula Le Guin last cross your radar screen? It could have been her memorable broadside at the 2014 National Book Awards ceremony, against Amazon and “commodity profiteers” who “sell us like ...
Jean Stafford, Antisocialite
Alice Munro’s Nobel Prize last fall was hailed as a victory for the novel’s neglected stepsister, the short story. What struck me most about Munro’s win was how well she has fared by following a ...
Feeling like a Stoic: Doris Lessing’s Experimental Fiction
I came late to Doris Lessing. Although it was back in 1962 that The Golden Notebook established her as the Cassandra of a not-quite-revolutionary generation, I clued ...