Three recent poetry collections have cemented the rise of what we might call the “metalyrical”: poetry that interrogates the conditions of its own expression.
What was happening in the streets of Iran—what one white feminist couldn’t see—was a revolution, looking for different freedoms than the West.
By making familiar objects strange, two new books of poetry reveal the limits of overly simple critique.
Everyone knows that feeling when a song—written by someone else in some other place or time—sees you so completely in the present. But how does that happen?
Companies like Uber and Airbnb rely on the exploitation of users and workers—and some investors are pushing back. Welcome to the “techlash.”
The documentary "Paris Is Burning" obscured the ordinary lives of queer people of color, but new footage reveals how the film could have been different.
A child’s novel can be funny by revealing how much a child does know, after all.
A defaced family photograph—with an ancestor cut out—reveals to Ferrante’s new protagonist how women are erased by the words and deeds of men.
With so many crises—environmental, humanitarian, racial, viral, and economic—the work of “critique” can seem to be a luxury. But is it?
What can the history of the temp-work industry teach us about the precarity of modern working life?
What could our internet have been?
The late literary scholar hoped the writings of older feminists in the academy would help younger women “name their anger and find companionship in enduring it.”
A Columbia University course serving formerly incarcerated men and women is grounded in an understanding of the powerful meliorative effects of education.
Joni Mitchell’s brilliant art was always a product of artifice as much as it was of honesty.