Fifty-five years after its release, “Rosemary's Baby” is still a masterful depiction of abuse we are only now beginning to officially recognize as “coercive control.”
Eleanor Johnson
Eleanor Johnson is an associate professor of English and Comparative Literature at Columbia University. She is the author of Practicing Literary Theory in the Middle Ages (University of Chicago Press, 2013), Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama (University of Chicago Press, 2018), and two collections of poetry, The Dwell (Scrambler, 2009) and Her Many Feathered Bones (Achiote, 2010). 
“Beowulf”: A Horror Show
Maria Dahvana Headley’s translation of “Beowulf” forces us to think about what we need to be true about the past, and our access to it.
The Return of Homer’s Women
Emily Wilson’s Odyssey, Pat Barker’s Silence of the Girls, and Madeline Miller’s Circe speak the lost and muted voices of ancient Greek women ...
Mysteries
In medieval England, craft guilds—nailmakers, woolworkers, saddlers, grocers—designed scenes from Biblical history, beginning with Genesis, coursing through the life of Christ, and ending with ...