Category
Interviews
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“Being Undocumented Is Already a Chronic Stress. Then, Add in Blackness”: Talking with Dr. Felecia Russell on the Experience of Black Undocumented Folks
“Growing up, I really didn’t get exposed to the conversations about immigration, until I found out that I didn’t have the proper documentation. Once I learned that, my world, I felt, just really shattered.”
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“Our Guns Make the Violence That People Are Fleeing”: Ieva Jusionyte on Guns & Violence in Mexico
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“She Seems So Normal to Me”: Cassandra Neyenesch on Writing a Woman on the Verge
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Adventures Newly Narrated: Jessica Francis Kane on Penelope Fitzgerald’s Lost Adventure
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“If a Woman Commanded Fire”: Talking Historical Stoves and Affordable Energy with Joyce Chaplin
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Hari Kunzru on Networks, the Novel, and the Politics of the Author
Hari Kunzru is a British-born writer who lives and works in New York. He is the author of four novels as well as numerous articles in publications including Wired, the New Yorker, the Washington Post, the Times of India, and the New Statesman. His first novel, The Impressionist (2002), which won the Betty Trask Prize,…
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The Folly of Technological Solutionism: An Interview with Evgeny Morozov
Evgeny Morozov, a former denizen of the technology world, gained notoriety as a skeptic of that world with his 2010 book The Net Delusion, in which he argued that technology enthusiasts or “cyber …
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Reflecting Absence: An Interview with Michael Arad
Michael Arad’s winning design for the World Trade Center Memorial has created a landmark for New York City and for design. “Reflecting Absence,” the theme and title of Arad’s winning entry, raises questions about loss and memory, but also about bringing life to city streets. In conversation with Harel Shapira, Arad discusses the democratic uses…
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On the Itinerant as Philosopher: An Interview with Aman Sethi
Aman Sethi’s A Free Man, a portrait of a day laborer in modern Delhi, is the latest contribution to an emerging subgenre of creative nonfictional books about Indian cities—itself a subset of a growing fascination with the poetics and practices of the metropolises of the Global South—that includes Suketu Mehta’s Maximum City (2004), Katherine Boo’s…
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The Confidence Economy: An Interview with T. J. Jackson Lears
Questions about trust, faith, and chance in American cultural history are at the core of your work as I see it. Your interest in confidence and con men is especially striking …
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Errol Morris, Forensic Epistemologist
Earlier this year I was contacted by the editors at Zum, a new Brazilian photography quarterly, who explained how they’d lately taken …
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Recycling Literary Culture: A Conversation with Lúcia Rosa
Over the past decade, a new style of publishing has emerged as a response to the economic and environmental conditions facing twenty-first-century Latin America. Cardboard books, colorfully hand-painted and assembled by workshop collectives, are now bought and sold in nearly every major Latin American city. The “cartonera” publishing collectives take their name from cartoneros: urbanites…
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A Conversation with Ellis Avery
Set in 1927 Paris, The Last Nude is inspired by the Russo-Polish Art Deco painter Tamara de Lempicka and the young woman who modeled for her most famous painting, Beautiful Rafaela. De Lempicka met Rafaela on a walk in the Bois de Boulogne and drove her back to the studio: the two women became lovers,…
