Section
Art

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Use and Reuse: Dancing Again with Robert Rauschenberg
“Looking at the Rauschenberg archives was a revelation to me. I’ve never handled a silkscreen, and physics and geometry weren’t my best subjects in high school, but even I could see how ‘Set and Reset’ could be recreated because of the Rauschenberg studio’s meticulous records management.”
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Extracting Blackness, from the Middle Ages to Today
I could not look at the dismembered Ethiopian leg without feeling the weight of a racial history that has never quite let up.
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“If You Do Something Social, You Have to Do It Local”: Pedro Lasch on Art, Protest, and Migration
“From the very beginning, I knew I was part of a social movement for undocumented immigrants’ rights.”
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How to Forget Alvin Ailey
Even as “Edges of Ailey” gathers such intimate documents, it does not make them legible to its visitors.
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Minimalism Forces You to Imagine: Speaking with Benji Hart and Anna Martine Whitehead
Benji Hart and Anna Martine Whitehead discuss their new performance pieces, and how a commitment to the principles of abolition strengthens their creative processes.
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Money for Nothing: Finance and the End of Culture
Art continues to get made—that’s what human beings do—but capital devours it.
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“Why Do We Go On Pretending?”: Theater at the End of the World
The theatre is where we go to remind ourselves that we are all dying together, and to live better for it.
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How to Lose a Library
On October 31, 2023, the British Library suffered a massive cyberattack. Since then, what has been lost?
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There Is No Such Thing as a Good Book: On “The Art of Libromancy”
“I do not think bookselling is an art. I think it is a job.”
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Escape from Earth: Raquel Forner’s Space Paintings
If the iconic NASA astronaut is a confident (male) neo-colonist, Forner’s Astronauts are infantile, unprotected, vulnerable.
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Long Cons: The Tragicomedy of Prestige TV
Shows like “The White Lotus” distract us with progressive politics, while stealing our eyeballs for the very people the shows lambaste.
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“We Plot to Undo the World”
Artist Simone Leigh curated a series of intellectual sermons directed by Black women who grieved, strategized, loved, and yearned for community.
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Andrea Hornick and Timothy Ingold: Designs for the Anthropocene
“We bring our own creativity into what we see—the seams get filled in, smoothed over, by our looking.”
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The Art We Do Together: “Art Worlds” 40th Anniversary
Howard Becker pointed out that critics, curators, suppliers, and administrators are as important to the creation of art as artists themselves.
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“The War Conquers You Not Only Physically”: Darya Tsymbalyuk on Plants and Humans in Ukraine
For several years, Darya Tsymbalyuk has been drafting a new history of Ukraine’s Donbas that overturns our assumptions. Rather than focus on the industrialization and war that have dominated the region, she interviews locals and asks them to draw maps of their hometowns, based on their memories and emotional connections. The resulting maps—which emerge in…
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Sanctuary Cities and Sanctuary Theater
Even in Shakespeare’s era, theaters literally shielded people from the state. Today’s theaters might talk sanctuary, but rarely practice it.
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Gordon Syron and the Art of the Invasion
In what ways might art resist a colonial state? Can a painting function as a land rights claim?
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Living with the Future in South Asia
For decades, South Asian architecture was impelled by the promise of a new society after empire. Now, such buildings are being demolished.
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Unreal Realism: Chicago’s Avant-Garde Women
Chicago—for women artists of various backgrounds—demanded a new art to advance the struggle for freedom by imagining other possible worlds.

































