“Being in community with people and teaching and learning outside of the confines of our classroom: I still actually really believe in that.”
Global Black History
Editors: Marlene L. Daut, Tao Leigh Goffe, & Annette Joseph-Gabriel
Past Editor: Keisha N. Blain
Can Photography Be Decolonial?
Can the inherent contradictions of “whiteness” and the “decolonial” ever align with the reparative potential of photography?
Lessons from Haiti on Living and Dying
If he had to write The Black Jacobins again, C. L. R. James “would only give Toussaint [Louverture] a walk-on part.”
The Myth of the “Sixties”
When we mythologize the ’60s, we lose sight of what’s truly ahead of us.
Fathers of Empire
There is a moment early on in Hazel Carby’s Imperial Intimacies when she writes about the ways her mother Iris—as a Welsh woman—refused Englishness but still embraced Britishness. This is revealed in her mother’s dismay that ...
Imperial Couplings
Hazel Carby’s Imperial Intimacies explores the couple, and intimacy, as foundational historical categories in postcolonial and decolonial studies. At the heart of her narrative lie Carl, a Jamaican ...
Homing Empire
Family memoirs are a special kind of historical offering. They have the power to tell fine-grained stories of the past, of epochal events—wars, migrations, empires—and to intricately connect them to ...
How Families Navigate Empire
Beginning at the end of the 1960s—in what we now call the start of the feminist Second Wave—women, especially black women, began making scholarly ...
Identity, Islands, and Hazel V. Carby
What histories do we inherit? In the current crisis of Brexit—which points to larger global shifts toward nationalism and xenophobia—there is no more urgent a ...
“Who Inherits?”: A Conversation between Tao Leigh Goffe and Hazel V. Carby
Over the decades of her transatlantic career, distinguished Yale University professor emerita of American and African American studies Hazel V. Carby has considered how one negotiates ancestral ties ...
“There Are Black People in the Future”: An Interview with Artist Alisha B. Wormsley
I think I make art because it’s what I’ve always done. It’s how I communicate my dreams. It’s how I stay alive, or rather it’s how I live ...
Decolonization Requires a New Economics
On October 15, 1968, the government of Jamaica banned a 26-year-old history professor from reentering the island nation. Walter Rodney, a lecturer at the ...
Writing for a Global Audience: An Interview with Poet Ishmael Reed
Ishmael Reed is one of the most significant literary figures of our time. He has ...
The Hipster
It happens every year. Besides the “Best of” lists that heave into view as early as late November, there are the conspicuous “Worst of” lists. Contrary to their tone, these lists also itemize the ...
Black Speculation, Black Freedom
Many black scholars—especially those who study black life, history, and culture—would recognize an uncomfortable and familiar situation that epitomizes ...
How Haiti Got Free
I vividly remember the rush I felt after my first encounter with the story of the Haitian Revolution. It was a sudden and miraculous sense that everything was not as it seemed ...
“There Is a Scottsboro in Every Country”
When we speak about a future in which all black people in America can be free, it’s hard to picture how, exactly, that freedom might look. Many black communists ...
Inside and Out in Paris and France
A year ago I was a recent college grad living in Toulouse, in southern France. My generous host family ...
And the Women Shall Lead Us
Our historical and contemporary images of black nationalism privilege the masculine. This is true whether in distant or recent memory. Images of black men dressed ...
Black Speculation, Black Freedom
Many black scholars—especially those who study black life, history, and culture—would recognize an uncomfortable and familiar situation that epitomizes ...
