For two Black womxn translators, bringing Afro-Italian stories into English is an act of radical self-love and resistance.
Global Black History
Editors: Marlene L. Daut, & Tao Leigh Goffe
Past Editors: Keisha N. Blain & Annette Joseph-Gabriel
Building Black Futures in Italy
When will new generations of Afro-Italians finally be heard and recognized as full and active members of Italy’s culture and society?
Igiaba Scego on Writing between History and Literature
“I strongly lay claim to imagination, because to us Black women for a long time the possibility of imagination had been negated.”
Reimagining Italy through Black Women’s Eyes
Italy’s past, present, and future are no less marked by race than any other former colonial power. Acknowledging that is only the beginning.
Atlantic Slavery: An Eternal War
Both violent surveillance and disease risk were integral to Atlantic slavery. That same war against Black people continues today.
Fast Food, Precarious Workers
Today—as in 1968—it remains to be seen if McDonald’s pivot toward racial justice will mean anything for how it treats its scores of Black workers.
“Lovecraft Country”: A Spell Gone Awry
Lovecraft Country runs on a formula: genre clichés—however racist—only need to be painted over, so as to be enjoyed without guilt.
Public Thinker: Annette Joseph-Gabriel on Black Women, Frenchness, and Decolonization
"The women in my book really disrupted France’s ideas about citizenship, about who belongs. I’d like us to be similarly disruptive."
Public Thinker: Marcia Chatelain on Feminism, Fast Food, and First Gens
“Being in community with people and teaching and learning outside of the confines of our classroom: I still actually really believe in that.”
Can Photography Be Decolonial?
Can the inherent contradictions of “whiteness” and the “decolonial” ever align with the reparative potential of photography?
Lessons from Haiti on Living and Dying
If he had to write The Black Jacobins again, C. L. R. James “would only give Toussaint [Louverture] a walk-on part.”
The Myth of the “Sixties”
When we mythologize the ’60s, we lose sight of what’s truly ahead of us.
Fathers of Empire
There is a moment early on in Hazel Carby’s Imperial Intimacies when she writes about the ways her mother Iris—as a Welsh woman—refused Englishness but still embraced Britishness. This is revealed in her mother’s dismay that ...
Imperial Couplings
Hazel Carby’s Imperial Intimacies explores the couple, and intimacy, as foundational historical categories in postcolonial and decolonial studies. At the heart of her narrative lie Carl, a Jamaican ...
Homing Empire
Family memoirs are a special kind of historical offering. They have the power to tell fine-grained stories of the past, of epochal events—wars, migrations, empires—and to intricately connect them to ...
How Families Navigate Empire
Beginning at the end of the 1960s—in what we now call the start of the feminist Second Wave—women, especially black women, began making scholarly ...
Identity, Islands, and Hazel V. Carby
What histories do we inherit? In the current crisis of Brexit—which points to larger global shifts toward nationalism and xenophobia—there is no more urgent a ...
“Who Inherits?”: A Conversation between Tao Leigh Goffe and Hazel V. Carby
Over the decades of her transatlantic career, distinguished Yale University professor emerita of American and African American studies Hazel V. Carby has considered how one negotiates ancestral ties ...
“There Are Black People in the Future”: An Interview with Artist Alisha B. Wormsley
I think I make art because it’s what I’ve always done. It’s how I communicate my dreams. It’s how I stay alive, or rather it’s how I live ...
Decolonization Requires a New Economics
On October 15, 1968, the government of Jamaica banned a 26-year-old history professor from reentering the island nation. Walter Rodney, a lecturer at the ...