“We have to take over spaces because we are not going to be invited in.”
“We need food, clothing, shelter, and healthcare, but we deserve that unquantifiable, experiential thing that is education, culture, leisure, beauty, nature.”
“Few libraries list it among their holdings, and sometimes I have wondered if the book in my possession actually exists.”
The way women practice feminism differs between Quebec and France, especially in how they welcome—or don’t—Muslim women.
Once, radical artists and thinkers shook up conservatives. Now, it’s the right gleefully transgressing a “moralizing” left. What happened?
In 1963, a Panamanian assemblywoman took to Cuban radio to condemn the United States and its control of the Americas.
Very much against the grain of most standard leftist work, “Daughter of Earth” remains unsettled and unsettling throughout.
Collective feminist narratives can acknowledge, to differing degrees, the stories that are missing from them.
“Given the long, tainted history of sex under patriarchy, maybe we need reparative norms around sex.”
South African literature has long struggled to become drought-resistant: its plotlines, and even its paper production, presuppose abundant water.
History, Ann Stoler showed, is not just political action, disconnected from daily domestic acts. Intimate relations are worthy of serious study.
Does leaving the academy mean someone failed? Or does it mean, instead, that their scholarly strengths can now be made useful to the public?
“What are the compartments that have been placed around how we understand slavery and genocide and its impact on our lives and the world?”
The transnational struggles of Black women throughout history are different experiments in the practice of freedom.
“There are two ways of reading Black invisibility and one of them is futuristic.”
“How might scientific storytelling, or stories of science, shape the struggle for liberation?”
Franco-Moroccan writer Leïla Slimani reveals the dirty underside of bourgeois domesticity. Is her taboo breaking worthy of praise?
I May Destroy You explores how sexual violation is entangled in relations of visuality.
Why did Americans start distrusting small towns? The answer is one book, in which a woman moves from the city—and loses her freedom.
What was happening in the streets of Iran—what one white feminist couldn’t see—was a revolution, looking for different freedoms than the West.