Franco-Moroccan writer Leïla Slimani reveals the dirty underside of bourgeois domesticity. Is her taboo breaking worthy of praise?
Tag: Gender
Beyond the Objectivity Myth
It is no exaggeration to say that Evelyn Fox Keller and her compatriots made possible not only my work but entire generations of scholarship on science.
This Is Not an Essay on Poetry of the Past 20 Years
I am tired of catalogues and catalogue poems, and of surveys and surveillance—though I appreciate a bird’s-eye view of the terrain as well as anyone.
The Metalyrical Moment
Three recent poetry collections have cemented the rise of what we might call the “metalyrical”: poetry that interrogates the conditions of its own expression.
What Would a Feminist City Look Like? Talking with Leslie Kern
“What we build and how we build influences the kinds of families and relationships that we can have or can even imagine.”
Ferrante Breaks the Frame
A defaced family photograph—with an ancestor cut out—reveals to Ferrante’s new protagonist how women are erased by the words and deeds of men.
Pornography Porn
The explosion of porn signals the widespread uptake of questions of objectification, the politics of looking, and the relation between power and enjoyment.
The Spy Who Read Me
Women writing about women spies who are, themselves, writing. What’s next for women’s espionage writing?
B-Sides: Carmen Laforet’s “Nada”
When freedom will not arrive to us, can we get nearer to it?
What Women Want
#MeToo has revived an enduring feminist question: What do women want, and how can they get it?
“Parasite” and the Plurality of Empire
Bong Joon-ho’s critique in Parasite is less of “universal” capitalism than of the particular imperialisms that have shaped Korean life.
Nancy Hale, at Last
Hale’s stories reveal that the woman who’s right is still the one kept up at night.
What Next for MeTooLit?
What happens when a woman’s words are believed? And what doesn’t happen? Two years have passed since the viral hashtag #MeToo carried the intersectional movement to end sexual violence to a global ...
How Greta Gerwig’s “Little Women” Misses the Mark
When in December I heard an interview with Greta Gerwig on All Things ...
The Lyric Me, Too
“The” is a suspect word. It’s small and ubiquitous, but there’s something presumptuous about it. It aggrandizes and abstracts. Unlike “this” and “that,” which also indicate specificity (“this word,” ...
B-Sides: Gene Stratton-Porter’s “A Girl of the Limberlost”
All but forgotten today, Gene Stratton-Porter was—in the early 20th century ...
Asimov’s Empire, Asimov’s Wall
Isaac Asimov loved large numbers. He was born a century ago this month, and when he died, in 1992, he was both the most famous science fiction writer in the ...
A Fairy’s Tale
Paul Takes the Form of a Mortal Girl tells a series of stories that we already know, but it achieves its familiar ends through decidedly unfamiliar means. Andrea Lawlor’s first novel presents us with ...
Getting to the Party in Time
The best parties, L. O. Aranye Fradenburg Joy claims in her epilogue to Jonathan Goldberg’s Sappho: ]fragments, are the after-parties: the parties that happen ...
B-Sides: Natalia Ginzburg’s “The Dry Heart”
When should a woman kill her husband? I have turned this question over and over ...
