Tag
Gender
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Mute Compulsion
The trauma plot and the slut-shaming dossier are actually parallel formations, reveals “The Guest.”
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The Costs of Having It All: On Netflix’s “Dubai Bling”
“Dubai Bling” reveals contemporary shifts in public discourse on feminism and the patriarchal family unit.
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Fighting Discrimination and Sexual Violence in Women’s Prisons
Even at the low-security prison that held actresses Felicity Huffman and Lori Loughlin, sexual violence against imprisoned women is rampant.
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B-Sides: L. Frank Baum’s “The Enchanted Island of Yew”
Many know L. Frank Baum for writing the book that inspired the 1939 film “The Wizard of Oz.” However, like any good magician, Baum had a lot more up his sleeve.
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Public Thinker: Gabriel Rosenberg on Industrial Agriculture’s “Brutal, Violent Heteronormativity”
“Much of the anxiety around conversations about meat is a more fundamental horror that we lack a moral language to adequately describe.”
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Women’s Land and Language: Huntington, Vermont
In the physical space of HOWL, a feminist and separatist living community, discussion of feminist ideas takes on urgency when confronted with the immediate practicalities of daily living.
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John Plotz on Earthsea, Anarchism, and Ursula K. Le Guin
“Rather than thinking of creative arts and sciences as ‘two cultures,’ we should realize that they’re running on parallel tracks.”
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Attention is Love: A Discussion with Lauren Groff and Laura McGrath
“I wanted to make nature a source of conflict, but also a source of joy and beauty and wonder and delight.”
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Where is the Archive, Anyway?: A Conversation about Empire and Filipinx Studies
“I love the moments where your books really linger on their encounters with power.”
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Heal Thyself?
How do current social and political arrangements limit our opportunities for feeling better?
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Reboot, Squared
TV can’t reboot its way out of its past errors, any more than an individual can fix their past trauma by reliving it, over and over again.
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B-Sides: Daphne Du Maurier, “Monte Verità”
Few writers have been as beloved by readers and underrated by reviewers as Daphne du Maurier. What irked them?
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“If It Bleeds, We Can Kill It”: Ander Monson on “Predator” and the Monster of American Masculinity
“I see actual male friendship, in a way that I don’t in almost any other action movie from the 80s.”
































