The most tweeted about show of the decade, “Euphoria” provoked viewers to gossip about its teenage characters. What did they say?
The videos of TikToks can easily reach billions. But because the app won’t share what’s popular, we don’t know just what the world is watching.
Women invented cyberspace. Yet today’s internet rewards misogyny with fame, wealth, and power. Could it be otherwise?
Both novels and non-fiction suggest exhaustion, disappointment, and listlessness are central to digital capitalism.
Autofiction like Burnham’s—or Wallace’s, or Lerner’s—show white men using irony, self-deprecation, and vulnerability. Should we listen?
"The ways in which the community itself is breaking down felt like end game capitalism."
Though a new phenomenon, Verzuz isn’t new. Black artistic, scholarly, athletic, and political spaces have always been made into battlegrounds.
When the internet is in everything, its problems are everywhere.
Critical examinations of the internet too often focus on the successes and failures of corporate leaders, rather than on the real constituents of online communities.
Perhaps the lesson to take from this year of living online is not about making better technology. It’s about recognizing technology’s limits.
In lockdown, one shop asked for people to submit comics of “a utopian world after we survive this moment.” Hundreds around the world answered.
A resource for teaching and discussing the internet, including a reading list, podcast, and discussion questions.
What we can learn from Silicon Valley’s history as we envision more just technologies for the future?
What new cultural forms are developing in the vast universe of the internet? How can observers and scholars keep up with the accelerated pace of human creativity online?
What kind of social space are we inhabiting when we’re online? How do practices like data collection, data brokering, and surveillance underwrite the “free” services we enjoy?
To understand Silicon Valley, first examine the stories it tells about itself; just like, to understand the Victorian age, first read writers like Dickens and Dreiser.
What exactly are we doing when we’re spending time online? Who profits from our presence there?
Where did the internet come from? Who gets left out of dominant stories about its origins? And what can history teach us about how to make the internet better?
“We have to build against the legacy of inequality. Intentionally. We have to build our values into our design practices.”
Fitting chaos into form is what genre was made for. But what does it mean for our literature—let alone our society—when reality suddenly turns wolfishly against ...