Did this 1940 novel use symbolism not for aesthetic purposes, but, instead, to conceal its critique of Italian fascism from the regime’s censors?
Despite using a pseudonym, Ferrante has made clear how readers should understand her work. Should critics listen?
Why would Dante need help? Because if the poet’s only readers are Dante scholars, then we’ll all lose out. Dante deserves better, and so do we.
When should a woman kill her husband? I have turned this question over and over ...