Tag
Mexico
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“Wrapped in the Spiral”: Natalia Lassalle-Morillo on Creation and Collaboration
Passage of the Spiral (2024) is a film with hazy and indistinct parameters, earning its designation of “pseudo-documentary.” Who is acting, and who is “real”? Which of the many stories being told or represented is true? The film shirks the rigidity of borders—between reality and fiction, between geographies, and between who is permitted to be…
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Books and Abandonment
Fernanda Melchor’s Hurricane Season makes other authors’ moral delicacy look like condescension.
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Mexico: The Essential Neighbor
Paul Theroux’s On the Plain of Snakes is the richest portrayal of contemporary Mexico available to Americans, and an urgent one.
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One Border, Two Walls: Douglas, Arizona, and Agua Prieta, Sonora
The sun is setting behind the Tohono O’odham Nation Reservation, and …
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What Future for Magic Mushrooms?
Hallucinogenic mushrooms have been used for centuries by numerous indigenous peoples around the world. These fungi appear in Aztec statues (like the one …
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The Immigration Crisis Archive
Back in 1954, the Eisenhower administration shut down the US government’s last remaining long-term immigrant holding facility, an …
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“The Political Body”: Radical Women and Latin American Art
Radical Women: Latin American Art, 1960–1985 was conceived 10 years ago …
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The Big Picture: The Promise of Sanctuary
In June 2015, during the early days of his candidacy during the Republican primaries, Donald Trump declared: “I will build a great, great wall on our southern border, and I will make Mexico pay for that wall. Mark my words.” These sentences seemed to signify a new low in anti-Latino speech, but they are not new.…
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The Big Picture: Building the Wall
Since November 2016, I’ve unfriended one family member on Facebook, and have been tempted to unfriend others. I blocked a cousin who lives in Texas and posted about Mexicans taking American jobs. It wasn’t anything beyond the pale; no matter how much research complicates this idea, it’s one of the most common assertions of the…
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Zombie Guts and Border Walls
In Season 2 of the zombie apocalypse show Fear the Walking Dead, Nick, a gringo junkie from Los Angeles, survives separation from his family by slathering himself with zombie guts and walking …
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B-Sides: Charles Portis’s “Gringos”
Faithful readers of Charles Portis tend to be rabidly in love with his writing, but a little mystified by its potency. Like a retired Crown Vic Interceptor acquired …
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The Fog of the Drug War
It is almost impossible to know exactly what happens when a crime is committed in Mexico, Honduras, Guatemala, or El Salvador. The basic questions often cannot be answered: Who is the victim? Who killed her or him? Why? Drug trafficking, violence, and militarization have turned murder into a problem that few could solve, even as…
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The Art of the Communist Museum: The Leon Trotsky House in Coyoacán
This is the latest installment of Public Streets, a biweekly urban observations series curated by Ellis Avery. Villa Coyoacán, Mexico, home to El Museo Casa de Leon Trotsky, is now a posh neighborhood in the south of Mexico City, but it was hardly more than a provincial town on the outskirts of the capital when…
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Caravaggio’s Hair
Human hair, as Álvaro Enrigue points out in Sudden Death, is the only part of the human body that does not rot. It accordingly plays a starring role in the novel, which is as interested in the persistence of human bodies as in their destruction. The tennis ball fiercely batted between the Spanish poet Francisco…
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Impunity
Human skin turns the color of lead as the body loses blood. It’s one of the physical signs, perceivable at plain sight in a homicide victim, marking the boundary between life and death. Another is the color of the blood itself, from the almost translucent, still glistening red of those recently massacred, to the blackening…
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Master of the Flying Nothing
This is the latest installment of El Mirador, an ongoing series curated by Francisco Cantú. Spanish for “the lookout point,” El Mirador collects original nonfiction, translation, and visual art on the American West, the US/Mexico borderlands, and Indian Country. Wrestling is based on iconography, on signatures. Wrestlers work in signature moves, in signature styles, in catchphrases and slogans…
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A Bus Ride in Old Mexico
This is the latest installment of El Mirador, an ongoing series curated by Francisco Cantú. Spanish for “the lookout point,” El Mirador collects original nonfiction, translation, and visual art on the American West, the US/Mexico borderlands, and Indian Country. The bus from Hermosillo had rimmed out and leveled off on top of the Sierra Madre to…
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Mexico City Chronicles
According to the latest version of the dictionary of the Royal Academy of the Spanish Language, a crónica is both “a history that obeys the order of the times” and “a journalistic piece … about current events.” But it is more. Starting in the 19th century, crónica and urban life became inseparable; to the mere…
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Enrigue’s Backspin
Four-fifths of the way through Álvaro Enrigue’s Muerte súbita (Sudden Death), the narrator admits that he doesn’t know what the book is about. It’s not about the birth of tennis as a popular sport. Nor is it about the European conquest of the Americas, or about the Counter-Reformation. It’s more a book about how one…
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The Restless Storyteller: An Interview With Laura Bolaños Cadena
Historia Semanal de Amor y Pasión (Weekly Story of Love and Passion) is one of those pocket-size Mexican comic books you may have read or seen—they’re called historietas. The covers are illustrated in eye-popping colors, and the drama inside is high and often fast. One of the most twisty and gripping issues I’ve read contained…































