Does viewing Emily Dickinson as unusual actually help us understand the poet or her work better?
Tag: Poetry
Black Poetry after Beyoncé
How do black feminist artists negotiate their own work in the wake of commercial success beyond contemporary poetry’s wildest dreams?
“I Can’t Make You See What I See”: Talking with Cyree Jarelle Johnson and Jesse Rice-Evans
"Writing about lupus is like writing about ghosts. What do you say about something featureless?"
Reading Against the Line: Translation, Fascism, Erasure
I’m just wary of the tendency to glorify revolutionary violence and masculinity.
Helen of West Hollywood
It hardly seems necessary to offer a spoiler alert for news that is well over two millennia old. But some news is so surprising, so contrary to everything we thought we knew, that time can do little ...
The Lyric Me, Too
“The” is a suspect word. It’s small and ubiquitous, but there’s something presumptuous about it. It aggrandizes and abstracts. Unlike “this” and “that,” which also indicate specificity (“this word,” ...
Machines Like Me, but They Love You
In almost any book about artificial life, there comes a moment when the humans, like Victor Frankenstein, are obliged to confront the full reality of what they’ve ...
Getting to the Party in Time
The best parties, L. O. Aranye Fradenburg Joy claims in her epilogue to Jonathan Goldberg’s Sappho: ]fragments, are the after-parties: the parties that happen ...
Writing for a Global Audience: An Interview with Poet Ishmael Reed
Ishmael Reed is one of the most significant literary figures of our time. He has ...
Resistance without Rhetoric
There’s a common belief that moments of public agony are good for poetry. Political turmoil, so this wishful thinking goes, galvanizes an otherwise private art and ...
What If Keats Had Lived?
What if John Keats—the brilliant Romantic poet, whose revolutionary lyrics blended classical myth and sensuous imagery—hadn’t died at age 25? The Warm South, a new novel by Paul Kerschen, reimagines ...
B-Sides: Joe Brainard’s “I Remember”
John Ashbery said he was nice—“nice as a person and nice as an artist.” I think it’s fair to say that we don’t have a rich critical vocabulary for nice artists. (And how ...
“Protest Can Be Beautiful”: Jackie Morris and Robert Macfarlane
In 2007, the Oxford Junior Dictionary, one of the standard reference works ...
Machines Like Me, But They Love You
In almost any book about artificial life, there comes a moment when the humans, like Victor Frankenstein, are obliged to confront the full reality of what they’ve ...
Translation’s Burden
A book is a strange vessel of expectation. A published book imagines a reader, for a published book without a reader is a book that loses someone’s money. And a book about translation seems to have ...
Summer Reads: Pan-African Literature
To celebrate Africa Day, May 25, Zimbabwean information project Kubatana curated its top-10 titles from Exclusive Books’ Pan-African Writing ...
Oliverio Girondo’s “Superwords”
“Animalevolent.” That’s the word that transfixed me some two decades ago. It’s a portmanteau that I discovered when reading Eliot Weinberger’s translation ...
B-Sides: Chaucer’s “The House of Fame”
For years, and with particular intensity since the 2015 Dylann Roof shooting and 2016 election, we have debated the fate of not only Confederate monuments but ...
Neruda’s Ghosts
Pablo Neruda’s only daughter, Malva Marina, was born in Madrid, in August 1934, and died a little over eight years later, in Nazi-occupied Holland, from the complications of hydrocephaly. She hadn’t ...
“Protest Can Be Beautiful”: Jackie Morris and Robert Macfarlane
In 2007, the Oxford Junior Dictionary, one of the standard reference works ...
