Fifty years ago, almost every publisher in the United States was independent. Beginning in the late 1960s, multinational corporations consolidated the industry ...
Tag: Publishing
Editor 2 Editor: Greg Britton and Jennifer Crewe
Where do scholarly editors find their authors? How do they decide which ...
Knausgaard’s Ruthless Freedom
So here it is at last: the end of Knausgaard’s struggle. It is 1,160 pages long, divided into three parts. Part 2 consists of a long essay on Hitler. Both ...
Saboteurs in the Modern Academy
What hope remains for the masses of disillusioned graduate students, unemployed PhDs, and embittered faculty who still, despite everything, believe in ...
Knausgaard’s Ruthless Freedom
So here it is at last: the end of Knausgaard’s struggle. It is 1,160 pages long, divided into three parts. Part 2 consists of a long essay on Hitler. Both ...
Editor 2 Editor: Mary Francis and Gita Manaktala
How does a scholarly book differ from a dissertation, or a string of articles? What does and doesn’t change with a shift to digital publishing? Is industrial espionage ...
Reading with Strangers
On a visit to Bogotá in 2006, riding on the then new TransMilenio bus rapid transit system, I discovered that it sponsored Libro al Viento (Books on the Wind), a series of free publications ...
Editor 2 Editor: Priya Nelson and Joe Calamia
How important to an editor is the spark one feels (or doesn’t) about a potential project? How does one identify books that are surprising, new, and relevant? And ...
Feeling Like the Internet
What has the advent of the internet meant for the novel? Apart, that is, from its having opened a gaping time-sucking sinkhole at the center of culture? The sweet drip-feed of sentiment and savagery ...
Let’s Not Call Them Neo-Nazis
The Frankfurt Book Fair is the largest of its kind in the world, in recent years boasting more than 275,000 visitors, around 10,000 accredited journalists ...
Editor 2 Editor: Lindsay Waters and Peter J. Dougherty
What does it take for a scholarly book to reach a broad audience? What should ...
Books after the Death of the Book
Last summer I decided to assign Ted Chiang’s The Lifecycle of Software Objects in the graduate course I was getting ready to teach. The title ...
Feeling like the Internet
What has the advent of the internet meant for the novel? Apart, that is, from its having opened a gaping time-sucking sinkhole at the center of culture? The sweet drip-feed of sentiment and savagery ...
Clever Man Outs Female Author: A Drama in 3 Acts
This month, we witnessed a contemporary version of a drama that we might call “The Female Author’s Disclosure.” It features the following dramatis personae: • The Heroine: a female ...
How to Predict a Bestseller
Literary theory is not a field that creates many bestsellers. Biographies of Shakespeare will always have a market, and now and then a work like Camille Paglia’s Sexual Personae rides a wave of ...
Always Already Translated
Here are some common metaphors for thinking about translation: as a ferryman (a word that derives from the Latin transferre), as a new set of garments, and as resurrection or afterlife. These ...
Genre Wars, Amazon, and the Market for Heart: Where Do We Go From Here?
In the past year in books, two conversations made a descent into debate—one about genre, and the other about Amazon—without necessarily being cast as two sides of the same story. It is a portrait of ...
To Translate Is to Betray: On the Elena Ferrante Phenomenon in Italy and the US
The stunning fortunes of Elena Ferrante’s Neapolitan novels in the United States have only recently begun to affect their reception in the author’s native country, giving rise to competing theories ...
How Did Susan Sontag Get to be So Famous?
In our time, how many American critics have been celebrities? How many have had the kind of name recognition that allows them to be casually mentioned in a mainstream Hollywood movie, or enough star ...
