Tag
Theater
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Reviving Evita
“With such an inviting, estranging cyclorama, this revived ‘Evita’ becomes an undeniable interpretation.”
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B-Sides: Menander’s “Dyskolos”
The arc of any romantic comedy remains incomplete until the misanthrope is brought into the fold of society.
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“Costs on All Sides”: Annie Dorsen on “Prometheus Firebringer”
“Technology creates the potential for conflict from the very start.”
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Tickets Are for Remembering
Playbills, programs, tickets: such physical documents are no longer part of seeing a show on Broadway. Does it matter?
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“Why Do We Go On Pretending?”: Theater at the End of the World
The theatre is where we go to remind ourselves that we are all dying together, and to live better for it.
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Listening to #MeToo
“Speaking out” is what began the #MeToo movement. But fulfilling its goals will require listening.
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Sanctuary Cities and Sanctuary Theater
Even in Shakespeare’s era, theaters literally shielded people from the state. Today’s theaters might talk sanctuary, but rarely practice it.
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“Now Is the Time of Help”: On Claudia Rankine
A new play centers on a Black woman who stops “accommodating white people” and, instead, asks them “about their love affair with my death.”
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How to Live Among What Is Dead
“Octavia Butler teaches us,” explains Black playwright Ericka Dickerson-Despenza, “…that we have two options in Apocalypse: adapt or die.”
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Alison Carey and Amrita Ramanan on Theater and Climate Change
“Greenturgy” orients a theatrical production toward the play’s environment. And every play has one.
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Helen of West Hollywood
It hardly seems necessary to offer a spoiler alert for news that is well over two millennia old. But some news is so surprising, so contrary to everything we thought we knew, that time can do little …
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Shoptalk: Overheard at ATHE
Theater theorists, historians, and practitioners gathered in Orlando for this year’s annual meeting of ATHE, the Association for Theatre in Higher …
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What the Constitution Means to Us
On June 22, 1999, Jessica Lenahan’s estranged husband, Simon Gonzales, abducted their three daughters from outside Jessica’s house, in Castle Rock …
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Passion and Presence: Maria Irene Fornes, 1930–2018
In 1999, in an interview I conducted with Maria Irene Fornes on the eve of a …
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B-Sides: John Gay’s “The Beggar’s Opera”
In an age of seamless, brazen, total corruption, how should art be? Should it be savage, grim, driven by white-hot rage? Or should it be smiling, gracious …
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We Are All King Lear’s Children
Which is Shakespeare’s timeliest play—the one that best mirrors our present moment? This is a perennial question, and perhaps a silly one, but we might begin an answer …
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“You Could Have Changed Everything”
One may as well begin with George Merrill’s touch to E. M. Forster’s backside (“gently, and just above the buttocks,” Forster recalls). It was 1913 …
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Staging Disability: An Interview with Martyna Majok
Martyna Majok just won the Pulitzer Prize for Drama for her original play Cost of …
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“To Examine Society and Try to Change It”
I take a seat near the middle of the table at 6:06 p.m. The room soon fills, students clutching coffee, shedding coats; someone brings gummy worms and sends them …
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