“I hope people will see the heartbreak of a little kid having to grow up and say goodbye to his childhood in order to survive.”
Tag: Writing
Ogden & Hardwick’s Everyday Enigmas
“Good afternoon, ma’am. Do you ever feel that it is so hard to know how to be happy?”
Magnificent Wreck: Samuel Taylor Coleridge at 250
How to interpret Coleridge’s voluminous patchwork of triumphs, fragments, stolen snippets, and unrealized plans? Does any larger pattern emerge?
“The Breath of Life”: Sheila Heti on Art, Loss, and Immortality
“Let it become the thing that leads you through your days for years on end—just allowing that problem to live in front of you and to guide you.”
Failure’s Gifts
Even the most successful authors—like Phillis Wheatley and W. E. B. Du Bois—fail to publish all they’d like. What can that reveal about literature?
How the “New York Times” Covers Black Writers
There has long been a fear that media only makes room for one Black writer at a time. But that’s always been difficult to prove—until now.
“In Any Version of Reality”: Talking SF with Charles Yu
“It’s why science fiction matters so much to me: I’m trying to dislocate our sense of the normal.”
“Our Lives Are at Stake”: Elaine Hsieh Chou on the Necessity of Asian American Writers
“Somehow, we are so present, and yet not even there. That surreal juxtaposition really pissed me off and fascinated me.”
Mandy Sayer interviews Helen Garner, 1989
“We didn’t think of ourselves as hippies, we thought of ourselves as serious people with politics.”
My Mother’s Book, My Grandmother’s Life
“I always thought that the challenge of writing my grandmother’s story was capturing her singular voice. Rereading her emails, I remember why.”
“Keep Your Own Counsel”: Talking Octavia E. Butler with Lynell George
“She wanted people to be curious and take action in their lives. Not be sheep. To find the ways we can work together in crisis.”
Ditching the “New Yorker” Voice
“What does it mean to self-narrate? What does self-insight look like?”
Finding Black People in Antiquity: Talking the Future of Classics with Sarah Derbew
“It feels insensitive or dishonest to not acknowledge the ways in which our work is a part of a greater narrative.”
Why Are You in Bed? Why Are You Drinking? Colm Tóibín and Joseph Rezek in Conversation
“The novel loves things. It loves money. It loves disappointment.”
“Cheerfully Monstrous”: Dodie Bellamy on Writing and Grieving
“I didn’t pay much attention to what was being put in the archives… there are letters that, if I had been paying attention, wouldn’t be there.”
Habits of Mind: John Warner on Teaching Writing
“You fall short and then you wonder, 'what could I do differently next time that gets us a little bit closer?' I love that process.”
“Having to Explain Who You Are”: Caryl Phillips on Baldwin, Fiction, & Sports
“The first thing he said is, ‘Don't call me Mr. Baldwin. My name is Jimmy.’ I thought, this is ridiculous, at the very least he's James.”
Public Thinker: Merve Emre Throws a Party for Different Readers
“One way to think about the act of annotating is that you are that meddlesome party gossip, telling the reader how to draw connections between the different parts of the text.”
Rereading the Revolt
In May 1381, rebels burned documents at Cambridge, then scattered the ashes to the wind. But why were universities targeted by the rebels?
“There’s No There There”: Keeanga-Yamahtta Taylor on the Future of the Left
“We don't have a party. That doesn't mean we need one big organization. We may need a few big organizations. But we need organizations!”