Place presents itself to you in fragments: Ivan Vladislavić and Jeanne-Marie Jackson

Being reviewed:

The Distance

Ivan Vladislavic
Archipelago, 2020

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Double Negative

Ivan Vladislavic
And Other Stories, 2013

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Our partner podcast Novel Dialogue invites a novelist and a literary critic to talk about novels from every angle: how we read them, write them, publish them, and remember them. This season’s signature question is: Who was your favorite teacher and why? 


How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today.

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View a transcript of the episode here. End of content

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